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Biography by Greg Prato
Unquestionably one of the all-time most influential, important, and versatile guitarists and songwriters in rock history is Jimmy Page. Just about every rock guitarist from the late '60s/early '70s to the present day has been influenced by Page's work with Led Zeppelin - his monolithic riffs served as a blueprint for what would eventually become heavy metal, yet he refused to be pigeonholed to any single musical style (touching upon folk, country, funk, blues, and other genres). Page also lent a hand in writing (or co-writing) Zeppelin's vast array of classic songs and produced all their albums. Born on January 9, 1944, in Heston, Middlesex, England, Page picked up the guitar at age 13 after being inspired by the Elvis Presley tune "Baby Let's Play House," and while he took several lessons, was mostly self-taught. Instead of attending college right after high school, Page decided to join his first real rock band, Neil Christian & the Crusaders, whom he toured England with. But Page fell seriously ill (with glandular fever) and was forced to quit and recuperate. Dejected, Page pondered giving up music and focusing on another interest, painting, as he enrolled at an art college in Sutton, Surrey.

With the emergence of such bands as the Rolling Stones in the early '60s and their gritty blues-rock, Page's interest in music perked up once again - but instead of forming a band right away, he decided to hone his craft by becoming one of England's top session guitarists and producers. Although the exact specifics of which sessions he was involved with have become hazy over time, it's confirmed that he worked with many of the day's top acts, including the Who, Them, Donovan, the Kinks, and the Rolling Stones, among others. By 1966, Page was looking to put his session work on hold and join a full-time band; he accepted an offer to play with the Yardbirds (initially as a bassist, then shortly thereafter as a guitarist), as he was paired up with another one of rock's all-time guitar greats, Jeff Beck. Although the Yardbirds began as a straight-ahead blues-rock band, with the inclusion of Page in the lineup, the group began experimenting with psychedelic and hard rock styles.

Despite it being obvious that the Yardbirds were on the downside of their career (Beck left shortly after Page came onboard), Page appeared on the album Little Games and several tours before the band finally called it a day in 1968. With a string of tour dates still set up throughout Europe, Page decided to go through with the shows and put together a new band who was dubbed the New Yardbirds - including longtime session bassist John Paul Jones, plus newcomers Robert Plant on vocals and John Bonham on drums. After the completion of their initial tour, the band changed their name to Led Zeppelin and explored the still largely uncharted territory of hard rock/heavy metal. The band immediately became one of rock's most successful and enduring bands, issuing a string of classic albums from 1969 through 1975 - Led Zeppelin I, Led Zeppelin II, Led Zeppelin III, Led Zeppelin IV, Houses of the Holy, and Physical Graffiti - which spawned such classic rock radio standards as "Dazed and Confused," "Whole Lotta Love," "Immigrant Song," "Black Dog," "Stairway to Heaven," and "Kashmir," as the band also became a must-see live act in the process. Page also found the time to work with folk artist Roy Harper (most notably his 1971 release, Stormcock, under the alias S. Flavius Mercurius). Zeppelin was arguably the biggest rock band in the world by the mid-'70s (their influence on other rock bands following in their wake cannot be stressed enough) as they launched their own record company, Swan Song, but it was around this time that Page began dabbling with heroin and other substances, eventually leading to him becoming a full-blown addict by the late '70s/early '80s (as a result, his playing began to suffer). Also, Page's interest in the occult became a concern to those around him (he went as far as purchasing a mansion on the Loch Ness in Scotland that was once owned by renowned Satanist Aleister Crowley).

Zeppelin continued issuing albums until the dawn of the '80s (1976's concert movie/soundtrack The Song Remains the Same and Presence, 1979's In Through the Out Door), but tragedy ultimately derailed the quartet - the death of Plant's young son in 1977 and Bonham's alcohol-related death in 1980. After Led Zeppelin decided to call it quits in late 1980, Page disappeared from sight (it became known later on that he hardly touched his instrument for a long time afterward). It wasn't until 1982 that Page began to emerge from his self-imposed exile, as he composed and played on the motion picture soundtracks to Death Wish I and Death Wish II, compiled the Zeppelin outtakes collection, Coda, and took part in the 1983 star-studded A.R.M.S. tour, which saw Page unite with Beck and Eric Clapton for a series of shows that raised money for multiple sclerosis research. In 1984, Page guested alongside Plant, Beck, and Nile Rodgers on the hit EP of rock & roll oldies The Honeydrippers, and formed his first band since the demise of Zeppelin, dubbed the Firm. The group featured former Free/Bad Company vocalist Paul Rodgers, and despite the fact that their self-titled debut was a sizeable hit, the band decided to call it a day shortly after the release of their lukewarm-received sophomore effort, Mean Business.

Zeppelin fans were given a rare treat when their surviving three members reunited (with drummers Tony Thompson and Phil Collins) for the mammoth Live Aid at Philadelphia's JFK Stadium in July 1985 - unfortunately handing in an incredibly under-rehearsed, sloppy performance. Zeppelin reunited again in 1988 for the Atlantic Records 25th Anniversary Concert at New York's Madison Square Garden (this time Bonham's son, Jason, filled in for his late father behind the kit), and yet again performed another mistake-filled mini set. The same year Page guested on Plant's solo release, Now & Zen, as well as issuing his first ever solo recording, Outrider, following it up with a tour that touched upon tracks from all eras of his career. By the early '90s, further rumors of an impending Zeppelin reunion continued to circulate, and after Plant declined an invitation from Page to join forces once again, Page decided to collaborate with former Deep Purple/Whitesnake vocalist David Coverdale, whose vocal style has often been compared to Plant's over the years. Page's latest project only lasted a single album, 1993's heavily Zep-like Coverdale/Page, as a proposed world tour was scrapped in favor of just a few select dates in Japan.

In 1994, Plant and Page finally agreed to collaborate once again (although Jones wasn't invited this time), leading to the release of the acoustic set No Quarter the same year, plus a highly popular MTV Unplugged special and sold-out world tour. A year later, Led Zeppelin was inducted into the Rock & Roll Hall of Fame, this being the second time a Page-related band got the nod from the Hall (in 1992, the Yardbirds were honored). 1998 saw Plant and Page issue an album of all-new material, Walking into Clarksdale, which was surprisingly not well received by the public, sinking from sight shortly after its release. The duo went their separate ways by the late '90s, as Page joined the Black Crowes for a tour and live album (2000's Live at the Greek). The same year as the album's release, another Crowes/Page tour was cut short due to a back injury Page suffered. But in June of 2001, Page took to the concert stage alongside Plant to celebrate the 60th birthday of their friend, folk artist Roy Harper.

Disc 1:

1. The Road to Love - Jimmy Page, Neil Christian & the Crusaders
2. The Big Beat Drum - Jimmy Page, Neil Christian & the Crusaders
3. Get a Load of This - Crusaders, Jimmy Page, Neil Christian & the Crusaders
4. Somebody Told My Girl - Southerners, Carter Lewis, Jimmy Page
5. Your Mamma's Out of Town - Southerners, Carter Lewis, Jimmy Page
6. Talkin' Bout You - Jimmy Page, The Redcaps
7. My Baby Left Me - Jimmy Page, Dave Berry
8. Jenny Let Him Go - Antoinette, Jimmy Page
9. Pills - Mickey Finn, Jimmy Page, The Blue Men
10. Hush Your Mouth - Mickey Finn, Jimmy Page, The Blue Men
11. Money Honey - Gear, Jimmy Page, Mickie Most
12. That's Alright - Gear, Jimmy Page, Mickie Most
13. Two Lovers - Jimmy Page, Louise Cordet
14. Reelin' and A-Rockin' - Mickey Finn, Jimmy Page, The Blue Men
15. I Still Want You - Mickey Finn, Jimmy Page, The Blue Men
16. Without You - Authentics, Jimmy Page
17. Climbing Through - Authentics, Jimmy Page
18. Is It True? - Jimmy Page, Brenda Lee
19. Sweet and Tender Romance - McKinleys, Jimmy Page
20. Don't Turn Your Back on Me - Jimmy Page, Jackie DeShannon

Disc 2:

1. Skin Deep - Bobby Graham, Jimmy Page
2. Zoom, Widge & Wag - Bobbie Graham, Jimmy Page
3. Go on Home - Jimmy Page, Dave Berry
4. C C Rider - Jimmy Page, Dave Berry
5. Try to Forgive Me - Kenny, Jimmy Page
6. Little Surfer Girl - Deny, Jimmy Page
7. Diggin' My Potatoes - Heinz, Wild Boys, Jimmy Page
8. Casting My Spell - Tailsmen, Jimmy Page
9. Masters of War - Tailsmen, Jimmy Page
10. Some Things Just Stick in Your Mind - Jimmy Page, Vashti
11. In My Time of Sorrow - Marianne Faithfull, Jimmy Page
12. Trains and Boats and Planes - Jimmy Page, Burt Bacharach
13. One Fine Day - Larry Page Orchestra, Jimmy Page
14. You Really Got Me - Larry Page Orchestra, Jimmy Page
15. You Must Believe Me - The Pretty Things, Jimmy Page
16. Teensville - Bobby Graham, Jimmy Page
17. Grotty Drums - Bobby Graham, Jimmy Page
18. Pageing Sullivan - London Studio Group, Jimmy Page
19. March of the Defiant Ones - London Studio Group, Jimmy Page
20. I've Got My Tears to Remind Me - Jimmy Page, Dave Berry
21. Beck's Bolero - Jimmy Page, Jeff Beck
22. Psychedelic - Johnny Hallyday, Jimmy Page
23. A Tout Casser - Johnny Hallyday, Jimmy Page

Before Jimmy Page rose to guitar godhood with the Yardbirds and Led Zeppelin, he was England's premier session guitar player. His presence on a song pretty much guarantees a scorching guitar break that lifts the song up at least one notch and sometimes vaults it straight into the atmosphere. This Guitar Kills: More 60s Groups & Sessions is a follow-up to Castle's 2000 collection Hip Young Guitar Slinger & His Heavy Friends and features Page's work with a wide range of artists. The first disc covers the years 1962 to 1964 and is dominated by the wispy British Invasion and Brit blues sounds of Neil Christian, Dave Berry, Mickie Most & the Gear, and Mickey Finn & the Blue Men but also finds space for Page's work backing girl singers like Antoinette, Peggy Lee (whose powerful "Is It True" should have been a big hit), Louise Cordet, and Jackie DeShannon. There are also two great cuts by the Authenics, "Without You" being a haunting beat ballad and "Climbing Through" a storming blues romp that finds Page uncharacteristically struggling to keep up with the wildness of the band he is sessioneering for. The second disc covers the years 1965 to 1968 and features Page in a wider (and stranger) range of settings: everything from the weird fusion of big-band jazz and rock rhythms of Bobby Graham to the nasty blues-pop of Dave Berry, the Talismen, and Heinz & the Wild Boys, the wall of sunshine pop of Kenny & Deny, the girl-group sounds of Vashti and Marianne Faithful, and his appearance on a great Pretty Things track, the chiming "You Must Believe Me." Weirdest of all have to be the easy listening orchestral selections by Burt Bacharach & His Orchestra, the Larry Page Orchestra, and the London Studio Group that feature Page's guitar doing subdued battle with a whole raft of string players. Hey, a guy has to eat. The disc rounds off with Page's appearance with Jeff Beck on the amazing "Beck's Bolero" and two very rare songs he cut with French rocker Johnny Hallyday: the trippy "Psychedelic" and the very funky "A Tout Casseer." The two discs are just the tip of the whirlwind that was Page in the '60s. It is a very fun listen because even if a song or singer is pretty rotten Page can save the song with his fleet-fingered, wildly imaginative approach. Not quite an essential listen, but Page fans and fans of the '60s British scene should be quite happy.